Bracketing: Difference between revisions

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'''Bracketing''' in [[phenomenology]] refers to "holding in abeyance" i.e. "suppression" or "suspension" of the question wether [[object]] of consciousness is real or not.  
'''Bracketing''' in [[phenomenology]] refers to "holding in abeyance" i.e. "suppression" or "suspension" of the question whether [[object]] of consciousness is real or not.  


In literary criticism, '''bracketing''' has been interpreted as suspension of own prepossessions and particularities by which a reader makes himself/herself purely and passively receptive, and he is able to participate and indentify with the [[Immanence|immanent]] consciousness of the author.<ref>https://youtu.be/sywGCoGVL0E?si=HotDzUODemj9RMkA&t=4146</ref>
In literary criticism, '''bracketing''' has been interpreted as suspension of own prepossessions and particularities by which a reader makes himself/herself purely and passively receptive, and he is able to participate and indentify with the [[Immanence|immanent]] consciousness of the author.<ref>https://youtu.be/sywGCoGVL0E?si=HotDzUODemj9RMkA&t=4146</ref>

Latest revision as of 02:54, 4 May 2024

Bracketing in phenomenology refers to "holding in abeyance" i.e. "suppression" or "suspension" of the question whether object of consciousness is real or not.

In literary criticism, bracketing has been interpreted as suspension of own prepossessions and particularities by which a reader makes himself/herself purely and passively receptive, and he is able to participate and indentify with the immanent consciousness of the author.[1]