(Created page with "'''Bracketing''' in phenomenology refers to "holding in abeyance" i.e. "suppression" or "suspension" of the question wether object of consciousness is real or not. In literary criticism, '''bracketing''' has been interpreted as suspension of own prepossessions and particularities by which a reader makes himself/herself purely and passively receptive, and he is able to participate and indentify with the immanent consciousness of the author.") |
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'''Bracketing''' in [[phenomenology]] refers to "holding in abeyance" i.e. "suppression" or "suspension" of the question | '''Bracketing''' in [[phenomenology]] refers to "holding in abeyance" i.e. "suppression" or "suspension" of the question whether [[object]] of consciousness is real or not. | ||
In literary criticism, '''bracketing''' has been interpreted as suspension of own prepossessions and particularities by which a reader makes himself/herself purely and passively receptive, and he is able to participate and | In literary criticism, '''bracketing''' has been interpreted as suspension of own prepossessions and particularities by which a reader makes himself/herself purely and passively receptive, and he is able to participate and identify with the [[Immanence|immanent]] consciousness of the author.<ref>https://youtu.be/sywGCoGVL0E?si=HotDzUODemj9RMkA&t=4146</ref> | ||
Latest revision as of 07:18, 2 December 2024
Bracketing in phenomenology refers to "holding in abeyance" i.e. "suppression" or "suspension" of the question whether object of consciousness is real or not.
In literary criticism, bracketing has been interpreted as suspension of own prepossessions and particularities by which a reader makes himself/herself purely and passively receptive, and he is able to participate and identify with the immanent consciousness of the author.[1]